When past and present collide on social media
South African social feeds lit up again as controversial cultural commentator and music executive Nota Baloyi drew fresh criticism for mocking his ex-wife, singer Berita, while embroiled in the ongoing Mihlali Ndamase saga. The latest online volley from Baloyi didn’t just spark amusement among a small group of followers; it reopened old conversations about how public personalities spill their private history into the public square.
Many who logged on over the weekend saw Baloyi’s unfiltered commentary trending, continuing a pattern that has made his name synonymous with brash opinions and viral moments. These posts once again reference his tumultuous past with Berita and pepper in barbs linked to the popular influencer Mihlali Ndamase.
From marriage headlines to social media punchlines
For those who weren’t following at the time Berita and Baloyi were married, it might be easy to miss just how fraught their history has been. The two tied the knot in 2020 amid much fanfare in South African entertainment circles. Their union looked picture-perfect in the early days but quietly dissolved as tensions and behaviour issues surfaced. By January 2022, Berita had left the marital home, later revealing the split was about preserving her well-being after a difficult period. She described choosing life over an increasingly unsettling partnership, a sentiment that resonated deeply with many South Africans who had watched the saga unfold online.
Fast forward to today, and Baloyi’s jibes serve as a stark reminder of how social media amplifies unresolved personal conflict. Even years later, remarks about Berita’s character and their relationship keep resurfacing in his unrestrained commentary.
A public broken record
It is not just this latest post that has drawn attention. Baloyi’s timeline reads like a catalogue of contentious takes on female figures in the spotlight. From comments about Mihlali Ndamase’s appeal to broader reflections on women in the entertainment world, his words have regularly stirred fierce debate among netizens. Some find his provocations entertaining, while many others see them as unhelpful or even harmful in a social media climate already charged with gender politics and respect issues.
Among the responses online, a mix of frustration, disbelief, and weary amusement spreads through replies and reposts. Several South Africans have called out the apparent pattern: that old private grievances are being weaponised for likes and engagement rather than left in the past.
Was once married to a bird brain that was simping for Mihlali… That was how she committed career suicide & her happily married fanbase realised that she’s a wannabe baddie, without the BBL body. It took 3years but the Mihlali house of cards has finally crumble. Bofebe won’t win!
— MORAL Authority (@lavidaNOTA) January 20, 2026
What this says about the public eye
In a society where personalities are followed closely and commentary is rapid, situations like this reflect more than just one man’s frustration or one divorce. They reveal how easily private conflict becomes public spectacle and how social media can keep stories alive far longer than anyone intended.
For Berita, whose career today stands on her own merit and creative output, the rebroadcasting of these moments is a backdrop she has increasingly moved beyond. For Baloyi, this may be another chapter in a long career marked as much by online provocation as by professional accomplishments.
Where the conversation goes next is anyone’s guess. But for South Africans scrolling timelines today, this latest episode yet again proves that in the age of social media, personal history and public voice are never truly separate.
Source: Briefly News
Featured Image: The South African
